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Since the beginning of the 1970s, Rebecca Horn has been creating an oeuvre which constitutes an ever-growing flow of performances, films, sculptures, spatial installations, drawings and photographs. The essence of their imagery comes out of the tremendous precision of the physical and technical functionality she uses to stage her works each time within a particular space.
In the first performances, the body-extensions, she explores the equilibrium between body and space. In later works she replaces the human body with kinetic sculptures which take on their own life. Her new works define and cut through spaces with reflections of mirrors, light and music.
The objects used and specially made for her installations such as violins, suitcases, batons, ladders, pianos, feather fans, metronomes, small metal hammers, black water basins, spiral drawing machines and huge funnels together build the elements for kinetic sculptures that are liberated from their defined materiality and continuously transposed into ever-changing metaphors touching on mythical, historical, literary and spiritual imagery.
Her work is bound together by a consistency in
logic; each new work appears to develop stringently from the
preceding one. Elements may be readdressed, yet appear in totally
different, divergent contexts.
In the 1980s and 1990s huge installations were created out of and dedicated to places charged with political and historical importance. With her kinetic sculptures, the artist releases and rediverts the weight of the past on these physical spaces: as for example in Concert in Reverse (1997) in Münster, where an old municipal tower turns out to be an execution site for the Third Reich: or in Vienna, with the Tower of the Nameless (1994), where she sets a monument to the refugees from Balkan states in the form of a tower with mechanically playing violins. In Weimar, Europe’s city of culture 1999, the Concert for Buchenwald was composed on the premises of a former tram depot. The artist has layered 40 metre long walls of ashes behind glass, as archives of petrifaction. In Mirror of the Night (1998), at a derelict synagogue in Cologne, she uses the energy of writing, textured to counter historical amnesia.
To work with energy in this way can also mean to set the turbulence of passion as a magnetic flow into the space as we see in High Moon (1991) in New York or in El Rio de la Luna (1992) in Barcelona. The circulatory systems of mercury pumps, atmospheric energies like sonorous structures or voiced lamentations, metamorphose in recent works into an incorporeity of space that is filled with newly generated energy: at an old monastery church on Majorca, in Moon Mirror (2003), the artist sets up an invisible yet tangible column of energy that spans the space between a rotating mirror on the floor and a vortex of light high up in the cupola.
With the outdoor installation Spiriti di Madreperla (2002), she transforms Italy’s largest city square, the Piazza del Plebiscito in Naples, into a space encompassed by magnetic energy. Shimmering light rings of mother of pearl hover high above the square and exactly beneath these, set between the cobbled stones, cast-iron skulls (models of the so-called “capuzzelle” within the enormous city underground vaults) form the vertical energy within the square. Here the viewer walks through the installation and becomes part of this charged energy field in dialogue with the city.
The work Light Imprisoned in the Belly of the Whale (2002) is also part of this cycle of spatial and light installations. Out of wandering texts projected into a black basin of water, a golden staff writing in the water and the movement of the words around the space produce a myriad of new texts and images. Rebecca Horn opens up expanses of space, drawing her installations into dimensions that call for redefinition. These new works are accompanied by the vocal and instrumental compositions of Hayden Chisholm, pieces of music that combine gracefully with the installations in their subtlety, fragility and hint at the unspeakable.
What is unique and continuously new about the work of this artist is that each single installation is a step towards breaking down completely the boundaries of space and time, opening up crevices to a universe, the existence of which we can only sense. Rebecca Horn’s works have been shown in solo exhibitions at leading international institutions: at the Staatliche Kunsthalle Baden-Baden (1981), the M.O.C.A. Los Angeles (1990), the Guggenheim Museum New York (1993), the Nationalgalerie Berlin (1994), the Serpentine Gallery London (1994), the Tate Gallery London (1994), the Kestner Gesellschaft Hannover (1997) and at the Carré d’Art, Nimes (2000). The most recent exhibition – Bodylandscapes – is devoted to her drawings. After stations in Düsseldorf, Lisbon and London, the exhibition will be shown from September to December 2006 in the Martin-Gropius-Bau in Berlin.The artist has been distinguished on numerous occasions, counting among her awards the documenta Prize (1986), the Carnegie Prize for The Hydra Forest, Performing Oscar Wilde (1988), the Kaiserring from the city of Goslar (1992), and the Barnett and Annalee Newman Award (2004). |
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Rebecca Horn
1944 Born
1963 Studies at the Hochschule für Bildende Künste, Hamburg
1971 DAAD-scholarship at Saint Martins College of Art, London
1972–1981 Lives in New York
1974 Teaches at the California Art Institute, University of San Diego
1975 Deutscher Kritikerpreis (German Critic’s Award) for her film Berlin – Exercises in nine parts: Dreaming under water of things afar
1977 Kunstpreis der Glockengasse, Cologne
1979 Kunstpreis der Böttcherstraße, Bremen
1986 documenta-Preis, Kassel
1988 Carnegie Prize at Carnegie International, Pittsburgh, for The Hydra Forest, Performing Oscar Wilde
1989 Begins teaching at the Hochschule der Künste, Berlin
1992 Kaiserring der Stadt Goslar and the Medienkunstpreis Karlsruhe
2004 Barnett and Annalee Newman Award, New York
2005 Hans-Molfenter-Preis, Stuttgart
2006 Piepenbrock Preis für Skulptur, Berlin
2007 Alexej von Jawlensky-Preis der Landeshauptstadt Wiesbaden
2009 Alice Salomon Poetik Preis, Berlin
2010 Hessischer Kulturpreis, Wiesbaden
2010 Premium Imperiale, Tokyo
2011 Grande Médaille des Arts Plastiques, Académie d’Architecture de Paris
2016 Member of the Orden Pour le Mérite für Wissenschaften und Künste
2017 Wilhelm-Lehmbruck-Preis
Rebecca Horn lives in Berlin and Paris
Solo exhibitions (selected)
1973
1974
1975 Berlin – Exercises in Nine Parts, Neuer Berliner Kunstverein, in co-operation with the Berliner Festspiele, Berlin Rebecca Horn, Kölnischer Kunstverein, Cologne
1976 Come una scimmia, che barcolla su un elefante, scrutando il mio sorgere, Galleria Saman, Genoa Rebecca Horn: Steirischer Herbst ’76: Drawings, Photos, Film, Video, Galerie H., Graz (with catalogue)
1977 The Unrelated Twin, Galleria Salvatore Ala, Milan
1978 Der Eintänzer, Kestner Gesellschaft, Hanover, Stedelijk Van Abbemuseum, Eindhoven, and Westfälischer Kunstverein, Munster (with catalogue) Dialogo tra due archi, Galleria Saman, Genoa
1979
1981 Ci mettemmo attorno a questo grande e bell’uovo bianco come la neve, giocosi come se l’avessimo fatto noi stessi, Galleria Saman, Genoa
1982 Rebecca Horn, Vereniging Aktuele Kunst, Gewad, Ghent (with catalogue)
1983
1984 Sculptures, Galerie Eric Franck, Geneva
1985
1986 The Sicilian Palace Journey, Theater am Steinhof, Vienna (with catalogue) Nuit et jour sur le dos du serpent à deux têtes, Musée d’Art Moderne de La Ville de Paris, Paris (with catalogue)
1987 Rebecca Horn, Galerie Elisabeth Kaufmann, Zurich
1988 A Rather Wild Flirtation, Galerie de France, Paris (with catalogue) Dedicated To Oscar Wilde, The Royal Hospital Kilmainham, ROSC ’88, Dublin The Hydra Forest, Carnegie International, Pittsburgh
1989
1990 Kafka’s America, Marian Goodman Gallery, New York
1991 Buster’s Bedroom, Galerie Elisabeth Kaufmann, Basel Films 1978 – 1990, Kestner Gesellschaft, Hanover (with catalogue) High Moon, Marian Goodman Gallery, New York La Lune Rebelle, Galerie de France, Paris
1992 Rebecca Horn, Mayor Gallery, London
1993
1994 Bibliothek des sibirischen Raben, Galerie König, Vienna Tower of the Nameless, Naschmarkt, Vienna The Turtle Sighing Tree, Marian Goodman Gallery, New York
1995 Les funérailles des instruments, Galerie de France, Paris Rebecca Horn, Festival d’Automne à Paris, Chapelle Saint-Louis de la Salpêtrière, Paris
1996
1997 Concerto dei Sospiri, Biennale di Venezia, Venice Les Délices des Évêques & Das gegenläufige Konzert, Skulptur.Projekte in Münster, Westfälisches Landesmuseum für Kunst- und Kulturgeschichte, Munster
1998 Mirror of the Night, Synagogue Stommeln, Cologne Tailleur du Cœur, Galerie de France, Paris
1999 Spiriti blu, light installation, Turin
2000 Carré d’Art – Musée d’art contemporain, Nimes (with catalogue) Spiriti blu, light installation, Turin Sighing Stones, Galerie de France, Paris
2001 Blue Bath, Galerie Jamileh Weber, Zurich The Burning Bush, Galerie de France, Paris
2002 Heart Shadows, Sean Kelly Gallery, New York Light imprisoned in the belly of the whale, Palais de Tokyo site de création contemporaine, Paris (with catalogue) Spiriti di Madreperla, Installation Piazza Plebescito, Naples (with catalogue)
2003 Rebecca Horn, Galleria Trisorio, Naples Belle du vent, Galerie de France, Paris
2004 Moon Mirror, St Johannes-Evangelist-Kirche, Berlin Bodylandscapes. Zeichnungen, Skulpturen, Installationen 1964 – 2004, K20 Kunstsammlung Nordrhein-Westfalen, Dusseldorf (with catalogue)
2005 Bodylandscapes, Galerie de France, Paris Moon Mirror, St Paul’s Cathedral, London Rebecca Horn, Kunstmuseum Stuttgart in connection with the Hans Molfenter Award, Stuttgart (with catalogue) Twilight Transit, Sean Kelly Gallery, New York Time Goes By, Dunedin Public Art Gallery, Dunedin (with catalogue)
2006 Rebecca Horn, Galerie Beyeler, Basel (with catalogue) Lotusschatten, Zentrum für Internationale Lichtkunst, Unna Rebecca Horn. Zeichnungen, Skulpturen, Installationen, Filme 1964 – 2006, Martin-Gropius-Bau, Berlin (with catalogue)
2007 Rebecca Horn, Rodin Gallery, Samsung Museum of Art, Seoul (with catalogue)
2008 Cosmic Maps, Sean Kelly Gallery, New York (with catalogue) Luci mie traditrici, Salzburger Festspiele 2008, Kollegienkirche, Salzburg. Opera by Salvatore Sciarrino, direction, stage and costumes by Rebecca Horn (with catalogue) Love and Hate, MdM Rupertinum Museum der Moderne, Salzburg (with catalogue) Amore – Continental, Studio Trisorio, Rome
2009 Fata Morgana, Liebesflucht, Fondazione Bevilacqua La Masa and Teatro La Fenice, Venice (with catalogue) Luci mie traditrici, Operadhoy, Madrid. Opera by Salvatore Sciarrino, direction, stage and costumes by Rebecca Horn (with catalogue) Aigües Tortes, with Jannis Kounellis, Pelaires Centro Culturale Contemporanei, Palma de Mallorca (with catalogue) Mots sous les pierres, with Giuseppe Penone, Galerie Alice Pauli, Lausanne Rebellion in Silence. Dialogue between Raven and Whale, Museum of Contemporary Art Tokyo (with catalogue)
2010 Rebelião em Silêncio, Centro Cultural Banco do Brasil, Rio de Janeiro and Centro Cultural Banco do Brasil, Sao Paulo (with catalogue) Elektra, Staatstheater Wiesbaden. Opera by Richard Strauss, text by Hugo von Hofmannsthal, directions by Rebecca Horn
2011 Moon Mirror Journey, 4th Moscow Biennale, Pioner Cinema, Moscow. Opening film Moon Mirror Journey, Artecinema, 16. International Film Festival of Documentaries, Naples Ravens Gold Rush, Sean Kelly Gallery, New York Moon Mirror Journey, Rubin Museum of Art, New York. US film premiere
2012 Federn tanzen auf den Schultern, Weserburg Museum, Bremen Capuzzelle, Studio Trisorio, Napoli Passage through Light, National Gallery of Modern Art, New Delhi Maribor Projekt – Rebecca Horn and Guests, UGM Maribor Gallery, Maribor (with catalogue)
2013 The Suitcase of Escape, Multimedia Art Muzey Moscow A Chemical Wedding in Istanbul, Galerie Artist, Istanbul
2014 Rebecca Horn : des arts plastiques au cinéma, 7èmes Journées Internationales du Film sur l’Art, Louvre, Paris The Vertebrae Oracle, Sean Kelly, New York
2015
2016 Films, 1970–2016, Tate Modern, London
2017 Hauchkörper als Lebenszkylus, Lehmbruck Museum, Duisburg
Group exhibitions (selected)
1972
1973
1974 Projects: Video II, The Museum of Modern Art, New York
1975 Magna Feminismus: Kunst und Kreativität, Galerie Nächst St. Stephan, Vienna Hamburger Künstler, Kunstverein Hamburg, Hamburg Edinburgh Film Festival, Edinburgh 9. Biennale de Paris, Musée d’Art Moderne de La Ville de Paris, Musée National d’Art Moderne, Musée Galliera, Paris Körpersprache, Haus am Waldsee, Berlin, Frankfurter Kunstverein, Frankfurt am Main
1976 Frauenkunst, INTERKUNST-MESSE, Vienna KP Brehmer, KH Hödicke, Rebecca Horn, René Block Gallery, New York
1977 Bookworks, The Museum of Modern Art, New York documenta 6, Orangerie, Kassel (subsequently in changed form) Neun Bewerber um das Annemarie- und Will-Grohmann-Stipendium, Staatliche Kunsthalle Baden-Baden Videosymposium, Tokyo
1979 Zeichnungen heute. 1. Internationale Jugendtriennale der Zeichnung, Kunsthalle Nürnberg, Nuremberg New American Filmmakers Series: Horn – Weiner, Whitney Museum of American Art, New York Weich und plastisch: Soft Art, Kunsthaus Zürich, Zurich
1980 Incontri 1980: 20 interventi di artisti contemporanei a Spoleto, 13. Festspiele, Spoleto Forum Design, Österreichisches Institut für visuelle Gestaltung, Linz Künstlerfilme der sechziger und siebziger Jahre, Künstlerhaus Bethanien, Berlin, Städtische Galerie im Lenbachhaus, Munich, Badischer Kunstverein, Karlsruhe, Theater am Turm, Frankfurt am Main Umanesimo, desumanesimo nell’ arte europea 1890 / 1980, Palazzo Frescobaldi, Florence
1982 Künstler verwenden Fotografie – Heute, Kölnischer Kunstverein, Cologne, Centre Culturel André Malraux, Nancy, Thomas-Mann-Bibliothek, Luxemburg, Museum van Heedendagse Kunst, Ghent, and at other venues in Europe, Asia and America to November 1992 Videokunst in Deutschland 1963 – 1982, Kölnischer Kunstverein, Cologne, Kunsthalle Hamburg, Badischer Kunstverein Karlsruhe, Westfälischer Kunstverein, Munster, Städtische Galerie im Lenbachhaus, Munich, Kunsthalle Nürnberg/Norishalle, Nuremberg, Nationalgalerie, Berlin, subsequently in changed form: German Video from 1963 – 1982 / Ulrike Rosenbach, Ulay und Marina Abramovic, Rebecca Horn, Herbert Wentscher, Barbara Hammann, Dieter Froese, Bernd Kracke, Ingo Günther, The Museum of Modern Art, New York documenta 7, Museum Fridericianum, Kassel International Video Festival, Goethe Institute, San Francisco, Long Beach Museum of Art Station/Annex, Long Beach, as part of the LBMA Video Night: PAL Video Junge Kunst in Deutschland, Kölnischer Kunstverein, Cologne, Nationalgalerie, Berlin, Städtische Galerie im Lenbachhaus, Munich
1983 Sculpture from Germany, Museum of Modern Art, San Francisco, Sarah Campbell Blaffer Gallery, University of Houston, Winnipeg Art Gallery, Art Gallery of Hamilton, Archer M. Huntington Art Gallery, University of Texas, Austin, Queens Museum, Flushing, New York
1984 Toyama Now ’84: A New Map of a New Art, Japan Biennal, Toyama Von hier aus: Zwei Monate neue deutsche Kunst in Düsseldorf, Gesellschaft für aktuelle Kunst, Düsseldorf, Messegelände, Dusseldorf
1985 The European Iceberg: Creativity in Germany and Italy Today, Art Gallery of Ontario, Toronto Promenades, Outdoor exhibition, Centre d’Art Contemporain and Parc Lullin, Geneva Kunst in der Bundesrepublik Deutschland 1945 – 1985, Nationalgalerie, Berlin
1986 Images of the Unknown, P.S.1, Long Island City Wien Fluss. 1986, Wiener Festwochen, Theater am Steinhof, Vienna Internationale Beelden Tentoonstelling, International Sculpture Exhibition, Sonsbeek ’86, Arnhem Arte e scienza – Wunderkammer: Artisti di oggi e camere delle meraviglie, Arte e alchimia, Biennale di Venezia, Venice Kunst als Kultur. Art as Culture: Recent Art from Germany, Ezra and Cecile Zilka Galleries, Wesleyan University, Middletown, Connecticut Androgyn: Sehnsucht nach Vollkommenheit, Akademie der Künste, Berlin, Kunstverein Hannover, Hanover Individuals: A Selected History of Contemporary Art 1945 – 1986, Museum of Contemporary Art, Los Angeles
1987 Die Gleichzeitigkeit des Anderen. Materialien zu einer Ausstellung, Kunstmuseum Bern, Bern Les Mécaniciens de l’imaginaire, La Cité des Sciences et de l’Industrie, La Vilette, Paris Manierismus subjektiv, Forum für aktuelle Kunst, Innsbruck, Galerie Krinzinger, Vienna Skulptur.Projekte in Münster, Westfälisches Landesmuseum für Kunst- und Kulturgeschichte, Munster Stations: Les Cents Jours d’Art Contemporain de Montréal, Centre International d’Art Contemporain de Montréal, Montreal From the Europe of Old, Stedelijk Museum, Amsterdam Edinburgh International: Reason and Emotion in Contemporary Art, Royal Scottish Academy, Edinburgh Nachtvuur, Foundation De Appel, Amsterdam
1988 From the Southern Cross: A View of World Art, 1940 – 88, Seventh Biennal of Sydney, organised in collaboration with the Australian Bicentennial Authority, later Biennal of Melbourne A Sculpture Show, Marian Goodman Gallery, New York Water Works, Visual Arts Ontario, Toronto ROSC ’88, Royal Hospital Kilmainham, Dublin New Sculpture / Six Artists, St Louis Art Museum, St Louis Eröffnungsausstellung Elisabeth Kaufmann Basel, Galerie Elisabeth Kaufmann, Basel Carnegie International, Carnegie Museum of Art, Pittsburgh
1989 Marian Goodman Gallery, New York Material + Spirit, Davis / McClain Gallery, Houston 150 Jahre Kunstvermittlung, Kölnischer Kunstverein, Cologne Magiciens de la terre, Musée National d’Art Moderne, Centre Georges Pompidou, and La Grande Halle, La Villette, Paris Dahn, Horn, Penone, Ruthenbeck, Elisabeth Kaufmann, Basel Blickpunkte, Musée d’Art Contemporain, Montreal Departures: Photography 1924 – 1989, Hirschl & Adler Modern, New York
1990 It Must Give Pleasure: Erotic Perceptions, Vrej Baghoomian Gallery, New York Territory of Desire, Louver Gallery, New York Rebecca Horn, Willi Kopf, Richard Long, Alison Wilding, Centre d’Art Contemporain, Domaine de Kerguéhennec, Bignan A Group Show, Marian Goodman Gallery, New York Die Endlichkeit der Freiheit Berlin 1990: Ein Ausstellungsprojekt in Ost und West, Berlin Von mir aus, Dany Keller Galerie, Munich Galerie Sophia Ungers, Cologne Multiples, Anthony Reynolds Gallery, London
1991 Arte e Arte, Castello di Rivoli, Turin This Land..., Marian Goodman Gallery, New York Interferenzen: Kunst aus West Berlin 1960 – 1990, Nationales Kunstmuseum, Riga, Manege, St Petersburg Mechanika, Contemporary Art Center, Cincinnati Group Show, Galleria Weber Alexander y Cobo, Madrid Devices, Josh Bear Gallery, New York A Group Show, Pascal de Sarthe Gallery, Los Angeles
1992 Der gefrorene Leopard, Galerie Bernd Klüser, Munich A Changing Group Exhibition, Marian Goodman Gallery, New York Bild: Objekt und Skulpturen, Elisabeth Kaufmann, Basel documenta 9, Kassel Zeichnungen 1976 – 1990, Galerie Franck & Schulte, Berlin La Collection du FRAC des Pays de la Loire, Musée des Beaux-Arts, Nantes Performing Objects, Institute of Contemporary Art, Boston
1993
1994 The Box from Duchamp to Horn, Ubu Gallery, New York
1995 Wiederbegegnung mit Unbekanntem, Erzbischöfliches Diözesanmuseum, Cologne Site Sante Fe, Santa Fe, New Mexico Das Sisyphos-Syndrom – Hommage für Joseph Beuys, Mecklenburgisches Künstlerhaus, Plueschow Leiblicher Logos – 14 Künstlerinnen aus Deutschland, Staatsgalerie Stuttgart, Altes Museum, Berlin, Sara Hilden Museum, Tampere, Nationalmuseum für Moderne Kunst, Oslo, and at other venues in Europe and Asia to June 1999
1996 Rebecca Horn and Jannis Kounellis, Galerie Franck & Schulte, Berlin Everything That’s Interesting is New, The Dakis Joannou Collection, The Deste Foundation, Athens, in collaboration with the Museum of Modern Art, Copenhagen Zeitströmungen – Collection of the Niedersächsische Sparkassenstiftung, Sprengel Museum Hannover, Hanover
1997 No Small Feat, Rhona Hoffman Gallery, Chicago Biennale di Venezia, Venice Helmhaus, Zurich Sequences – A portfolio of work by 29 artists, Edition Schellmann, New York Skulptur.Projekte in Münster, Westfälisches Landesmuseum für Kunst- und Kulturgeschichte, Munster Masters of Contemporary Sculpture, Galerie Jamileh Weber, Zurich
1998 Breaking Ground, Marian Goodman Gallery, New York
1999 Inner Eye, Contemporary Art from the Marc and Livia Straus Collection, Neuberger Museum of Art, Purchase, New York 25 Jahre – 25 Years, Galerie Jamileh Weber, Zurich
2000 Über die Wirklichkeit, Erzbischöfliches Diözesanmuseum, Cologne La Beauté, Palais des Papes, Avignon Contemporary Art from Germany – German Festival in India 2000 – 2001, National Gallery of Modern Art, Mumbai, Birla Academy of Art & Culture, Calcutta Regarding Beauty: A View of The Late Twentieth Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., Haus der Kunst, Munich New Works, Galerie Jamileh Weber, Zurich
2001
2002 Tempo, The Museum of Modern Art, Queens, New York 100 Artists See God, Independent Curators International, New York Drehen, Kreisen, Rotieren, Kunstmuseum Heidenheim, Kunst-Museum Ahlen in der Theodor F. Leifeld-Stiftung, Ahlen, Pfalzgalerie Kaiserslautern
2003 Phantom der Lust, Neue Galerie, Graz Open the Curtain – Kunst und Tanz im Wechselspiel, Kunsthalle zu Kiel Berlin – Moskau / Moskau – Berlin 1950 – 2000, Martin-Gropius-Bau, Berlin, and Tretjakov Gallery, Moscow
2004 TanzMediale, Deutsches Tanzarchiv Köln / SK Stiftung Kultur, Cologne Behind the Facts. Interfunktionen 1968 – 75, Fundació Joan Miró, Barcelona, and Museu Serralves, Porto Bewegliche Teile, Kunsthaus Graz Gegenwelten, Neue Nationalgalerie, Berlin 100 Artists See God, ICA London
2005 Bewegliche Teile. Formen des Kinetischen, Museum Tinguely, Basel Sammel-Leidenschaften, Neues Museum Weserburg, Bremen (my private) Heroes, MARTa Herford Kunst und Cover / Lettre International, Museum für Angewandte Kunst, Frankfurt am Main Schattenspiel. Schatten und Licht in der zeitgenössischen Kunst – Eine Hommage an Hans Christian Andersen, Kunsthalle Kiel Körper – Leib – Raum, Skulpturenmuseum Glaskasten Marl UdK Berlin – Fakultät Bildende Kunst, Berlinische Galerie, Berlin
2006 Walking & Falling, Magasin 3 Stockholm Konsthall, Stockholm Eros in der Kunst der Moderne, Fondation Beyeler, Basel Pontus Hultén. Artisti da una collezione, Palazzo Franchetti, Venice Verrückte Liebe – Von Dalí bis Bacon, BA-CA Kunstforum, Vienna 40jahrevideokunst.de – Digitales Erbe, Kunstsammlung im Ständehaus, Düsseldorf 40jahrevideokunst.de – Die 60er, Kunsthalle Bremen 40jahrevideokunst.de – update 06, Lenbachhaus, Munich 40jahrevideokunst.de – Revision.zkm, ZKM, Karlsruhe 40jahrevideokunst.de – Revision.ddr, Museum der Bildenden Künste, Leipzig You’ll Never Know, Harris Museum and Art Gallery, Preston, Glynn Vivian Gallery, Swansea, The Lowry, Salford and The New Art Gallery, Walsall Tokyo Blossoms: Deutsche Bank Collection meets Zaha Hadid, Hara Museum of Contemporary Art, Tokyo A Short History of Performance IV, Whitechapel Art Gallery, London Kunst und Photographie, Photographie und Kunst, Galerie Bernd Klüser, Munich Transformation. Aus eigener Sammlung, Kunstmuseum Liechtenstein, Vaduz All the Best – The Deutsche Bank Collection and Zaha Hadid, Singapore Art Museum, Singapore Contemporary sculpture, Zwirner & Wirth, New York DISEGNI, Studio Trisorio, Naples The Subverted Object, Ubu Gallery, New York busy going crazy – the Sylvio Perlstein collection, La Maison Rouge, Paris
2007 Lights, Camera, Action: Artists’ Films for the Cinema, Whitney Museum of American Art, New York Pontus Hultén – Künstler einer Sammlung, hlmd – Hessisches Landesmuseum Darmstadt and Henie Onstad Art Centre, Høvikodden Tanzen, Sehen, Museum für Gegenwartskunst Siegen and Centro Andaluz de Arte Contemporáneo, Sevilla Fondation Beyeler: EROS in der Kunst der Moderne, BA-CA Kunstforum, Vienna WACK! Art and the Feminist Revolution, The Geffen Contemporary at MOCA, Los Angeles Visit(e) – Art contemporain en Allemagne – Sélection de la collection d’art contemporain de la République Fédérale d’Allemagne, Bozar – Palais des Beaux-Arts / Paleis voor Schone Kunsten, Brussels Dalla terra alla luna – metafore di viaggio (parte I), Museo d’arte contemporanea Castello di Rivoli, Turin Vertigo – The century of off-media art from Futurism to the web, MAMbo – Galleria d’Arte Moderna di Bologna Rouge baiser, FRAC – Pays de la Loire, Carquefou Poetry in Motion, Galerie Beyeler, Basel Der unendliche Raum dehnt sich aus, Kolumba, Cologne Kunstmaschinen – Maschinenkunst, Schirn Kunsthalle, Frankfurt am Main Face to Face – The Daros Collections, Part 1, Daros Exhibitions, Zurich
2008 40 Years Video Art in Germany, Sofia Art Gallery und Goethe-Institut Bulgaria, Sofia WACK! Art and the Feminist Revolution, P.S.1 MoMA, Long Island Kunstmaschinen – Maschinenkunst, Museum Tinguely, Basel Visite – Von Gerhard Richter bis Rebecca Horn, Kunst- und Ausstellungshalle, Bonn Zerbrechliche Schönheit. Glas im Blick der Kunst, Museum Kunst Palast, Düsseldorf traces du sacré, Centre Pompidou, Paris Biennale of Sydney 2008, Sydney Sound of Art, Museum der Moderne Salzburg traces du sacré, Haus der Kunst, Munich 40jahrevideokunst.de, Museo Villa Croce, Geneva Die verborgene Spur – Jüdische Wege durch die Moderne, Felix-Nussbaum-Haus, Osnabrück
2009 1968. Die Große Unschuld, Kunsthalle Bielefeld Odes to Common Things / Oda a las cosas, Galeria Arnes + Röpke, Madrid Kunst und Öffentlichkeit, Neuer Berliner Kunstverein, Berlin aus/gezeichnet/zeichnen, Akademie der Künste, Berlin 60 Jahre – 60 Werke: Kunst aus der Bundesrepublik Deutschland, Martin-Gropius-Bau, Berlin elles@centrepompidou, Centre Pompidou, Paris Kunst und Kalter Krieg: Deutsche Positionen 1945 – 1989, Germanisches Nationalmuseum, Nuremberg DURCHdRINGEN, kunstGarten Graz Kunst und Kalter Krieg: Deutsche Positionen 1945 – 1989, Deutsches Historisches Museum, Berlin Taswir – Islamische Bildwelten und Moderne, Martin-Gropius-Bau, Berlin
2010 Starter – Vehbi Koc Foundation Contemporary Art Collection, Arter, Istanbul Everything Is Connected, Castello di Rivoli, Turin The Surreal House, Barbican Centre, London Thrice Upon a Time, Magasin 3 Stockholm Konsthall, Stockholm The Private Museum, Galleria d´Arte Moderna, Bergamo Just Love Me, Musée d´Art Moderne Grand-Duc Jean, Luxemburg Tenir, debout, Musée des Beaux-Arts de Valenciennes Art on Paper 2010, Weatherspoon Art Museum, Greensboro Encounter Stage: Indoors and Outdoors, kunstGarten Graz Islands Never Found, Musée d´Art Moderne, Saint-Etienne; State Museum of Contemporary Art and Macedonian Museum of Contemporary Art, Thessaloniki
2011
2012 Art is Liturgy, Kolumba Museum, Cologne TRANSART, Festival zeitgenössischer Kultur in cooperation with Museion Bozen
2013 Meret Oppenheim parle à Annette Messager, Rebecca Horn, Judith Hopf, Galerie de France, Paris
2014 7èmes Journées Internationales du Film sur l’Art, Louvre, Paris
2015 By the Book, Sean Kelly, New York Making Traces, Tate Modern, London What We Call Love, Irish Museum of Modern Art, Dublin
2016 The Body Extended: Sculpture and Prosthetics, Henry Moore Foundation, Leeds Seeing Round Corners, Turner Contemporary, Margate Lines of Passage, Municipal Art Gallery of Mytilene An der Oberfläche_On Surface: Von Rodin bis De Bruyckere, Lehmbruck Museum, Duisburg
2017 Pro(s)thesis, Akademie der bildenden Künste Wien, Vienna Infinite Garden: From Giverny to Amazonia, Centre Pompidou-Metz Kairos Castle: The Art of the Moment, Kasteel van gaasbeek, Lennik Selected, Sean Kelly, New York Restless Gestures: Works from the Hubert Looser Collection, National Museum of Art, Architecture and Design, Oslo Entering the Landscape, Plug In Institute of Contemporary Art, Winnipeg
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